Saturday, June 8, 2013
Its a slow day at the office today, so I figure I might as well make an entry here. In fact, there is a certain article that I have been planning in my head for a while. A full and comprehensive review of all the TV shows that I have seen till date, and a person with an average CGPA who stays at NITR for 4 years, does end up seeing a lot of them. But a little thought over the matter made me realize how stupid the idea was, not to mention, pretentious. I definitely cannot claim to have watched every TV show that exists in DC-verse, nor can I claim to have a fully unprejudiced view of each. Watching a TV Show is like a love affair, and a person does form his list of favorites. Again, there is a huge number of shows that I just saw the pilot of, or abandoned midway for one reason or the other. But I do want to write this article. So to effect a compromise, I will drop the whole notion of a "full and comprehensive review" and instead write what can be loosely described as a very egotist referral for all the shows I have ever looked at. Here goes-
It makes sense for me to start with this, because it is the first show that I saw, even before I came to NITR, back in the days when it was still considered by a large majority of the population as an out-and-out hilarious show. It is true that it lost out on a lot of steam in the 3 to 4 years after Season 3, but it has its core fan base of die-hard loyalists, present company included, who have kept the show going strong. And now, with Season 8, these HIMYM-fans' faith has been rewarded amply. For the rookie, the overall theme of the SitCom can be summarized as the story of five young friends- the mushy and strongly committed Lily and Marshall, the beautiful and ambitious Robin, the womanizing and 'legendary' Barney, and the hopelessly romantic Ted, revolving around the latter's search for his one true love, and his eventual redemption, as narrated by him to his kids in the year 2030; the story of how he met their mother. What sets HIMYM apart from other SitComs is that it is, as its writers put it, a "comedy with heart". There are plenty of touching and romantic moments amidst the laughs and it is even a tear-jerker at times. And then there is the case of its fast-paced writing with its flash-backs and flash-backs within flash-backs and the slow and meticulous development of every single one of the major characters. With HIMYM all set to come back for its last season this September, it is time for Carter and Craig to take a bow.
This is probably the show that started the string of high-budget TV dramas that have so dominated the last decade. Originally conceived by none other than J.J. Abrahms himself, its the story of a group of people marooned on a remote island in the middle of the Pacific following a plane crash. As the plot progresses, it is revealed that not only is the island full of mysteries and powers, the seemingly random collection of survivors are, in fact, not random at all. Full credits to the show for keeping its audience entirely intrigued about almost every aspect of the plot, and for developing rich backstories for every character there is. I saw it the only way it can be seen, in a full 2 week-marathon, and cannot imagine how people could possibly wait full weeks and seasons for the next episode. The cliffhangers are beautiful and a person watching it will spend the larger part of the time at the edge of his seat. Originally conceived to be a 3-season show, its huge revenue generation had the network push the producers to extend it for another 3 seasons. And that is where the show 'lost' it. Introducing needless complexities and pushing the storyline into utterly irrelevant and fantastic elements, it ended on a low, not being able to resolve most of the major plotlines and intrigues that it itself had raised. The series finale episode was such a colossal clusterfuck that it was an insult to intelligence everywhere.
This was the first SitCom I saw after HIMYM, and as such my standards were pretty low going in. Not to imply that this was not an entertaining show. To the contrary, TAAHM is one of the better comedies of the last decade with its cleverly titled name, and its basic premise that could only spell trouble. Two brothers, one a stinking-rich man named Charlie who has made his fortune composing jingles and lives a life of booze and babes, more like a practical version of Barney Stinson, and the other, Alan, who is a middle-class Chiropractor with a son and an idyllic suburban life. The plot starts when Alan's wife divorces him and takes away everything to leave him and his son Jake going on to live in Charlie's Malibu beach house. The interactions and adjustment pains for all the three concerned is a riot, and is the backbone of the story. But what really drove the story for me was Charlie Sheen, and his impeccable acting as Charlie Harper, a character so resembling his own self. So needless to say, I stopped watching the show when he left and was replaced by Ashton Kutcher.
To Be Continued